20 November, 2009

The Onion

The onion, now that’s something else.
Its innards don’t exist.
Nothing but pure onionhood
fills this devout onionist.
Oniony on the inside,
onionesque it appears.
It follows its own daimonion
without our human tears.

Our skin is just a coverup
for the land where none dare go,
an internal inferno,
the anathema of anatomy.
In an onion there’s only onion
from its tip to its toe,
onionymous monomania,
unanimous omninudity.

At peace, of a piece,
internally at rest.
Inside it, there’s a smaller one
of undiminished worth.
The second holds a third one,
the third contains a fourth.
A centripetal fugue.
Polyphony compressed.

Nature’s roundest tummy,
its greatest success story,
the onion drapes itself in its
own aureoles of glory.
We hold veins, nerves, fat,
secretions’ secret sections.
Not for us such idiotic
onionoid perfections.


— by Wislawa Szymborska
(tr. Stanislaw Baranczak and Clare Cavanagh)
from View With a Grain of Sand

(apologies)

19 November, 2009
City of Melbourne Identity
by Landor
(apologies)

City of Melbourne Identity
by Landor
(apologies)

18 November, 2009

… The form speaks of the flight of the soul, which to reach the starry void must tear itself, in agonizing pain, from the chains of matter…

The Cathedral by Jacek Dukaj

17 November, 2009

I close my eyes and I keep seeing things
Rainbow waterfalls, sunny liquid dreams
Confusion creeps inside me raining down
Got to get to you, but I don’t know how

Call me, call me
Let me know it’s alright
Call me, call me
Don’t you think it’s now time
Please won’t you call and
Ease my mind
Reasons for me to find you
Piece of mine
What can I do to get me to you?

I had your number quite some time ago
Back when we were young
But I had to go
Ten thousand years I’ve searched, it seems enough
Got to get to you, won’t you tell me how

Call me, call me
Let me know you are there
Call me, call me
I wanna know you still care
Come on now won’t you
Ease my mind
Reasons for me to find you
Peace of mind
What can I do to get me to you?

— “Call Me Call Me”
Yoko Kanno & The Seatbelts / Blue: Cowboy Bebop OST 3

17 November, 2009

A drawing is never really done. It is simply a glimpse, at a given time, of an idea. Drawings are thoughts fixed in graphite lightly. They can be the best way to abandon an idea with no regrets, or a way to retain that fleeting something, to be revisiting months or even years later. […]

Now that it’s said and done, I’ve finally come to realize that it never really is, that pencils provide the perfect impermanence, the ultimate lightness of seeing, the line that is always between the lines in a sort of fractal meta-physicality – no matter how closely you depict an idea, there are always dozens more hidden within. [… W]hile practice makes good, perfect is always in the next sketch, that the only real line is the horizon.

It’s no coincidence that etymology provides such solace; with each drawing you draw yourself closer to two things: understanding the nature of the world around you and depicting in patient graphite the worlds you have within. Like two mirrors placed face to face, the artist is somewhere in that infinity of reflection and counter-reflection. […]

A drawing is never really done.

— John Howe,
Drawing the Line Somewhere

16 November, 2009

When warm air rises, seeking the sun, cool air rushes in to replace it. That’s the way of the world. Joy and youth and love flow ever upward. What they leave behind is the cold consolation of the wind.

— “A Memory of Wind” by Rachel Swirsky
(apologies)

10 November, 2009

imaginarion

(inspired by a typo)